Aaron West discusses the second in the Delmer Daves, Glenn Ford trilogy, which could be considered a “Western Noir” because of the clever shot selection, the use of light and shadow, and the multifaceted characters.

Facebook Photo Album

Where to Find Us:

Mark Hurne: Twitter | Blog | Letterboxd Aaron West: Twitter | Blog | Letterboxd Criterion Close-Up: Facebook | Twitter | Email

Leave a Reply

Your email address will not be published. Required fields are marked *